--- title: Prompts that repeat display: '*Prompts* that repeat' nav_title: Prompts that repeat summary: - "Write each prompt in four parts, in the same order: what to make, what to keep, the hard rules, then the style." - "Name every kind of part the model must keep, in capitals, so it works on any character." - "Keep one shared rule in its own Text node and join it to every style with a Prompt Builder, so one change reaches every look." description: Read how the anatomy-sketch prompt is written, share one framing rule through Prompt Builders, and add the prompts for the pencil, gray sculpt and textured sculpt sheets. section: workflows order: 50 type: guide level: Build roles: [all] time: { read: 9, do: 15 } needs: ["The Anatomy reference sheets workflow from the previous lesson"] last_verified: 2026-11-11 models_checked: ["GPT Image 2.5 Sunburst"] related: [build-your-first-workflow, nodes-reference, batches-loops-and-logic, prompt-images, debug-a-workflow] thumb: workflows/prompts-and-llm-nodes/thumb.webp video: tutorials/prompts-and-llm-nodes.mp4 video_caption: "Prompts that repeat" chapters: - { at: 0, title: "The four sheets to make", image: "/media/images/workflows/prompts-and-llm-nodes/ch-01-the-four-sheets-to-make.webp" } - { at: 21, title: "Open the workflow", image: "/media/images/workflows/prompts-and-llm-nodes/ch-02-open-the-workflow.webp" } - { at: 32, title: "Read the style prompt", image: "/media/images/workflows/prompts-and-llm-nodes/ch-03-read-the-style-prompt.webp" } - { at: 81.5, title: "Find the shared rule", image: "/media/images/workflows/prompts-and-llm-nodes/ch-04-find-the-shared-rule.webp" } - { at: 93, title: "Label the switch", image: "/media/images/workflows/prompts-and-llm-nodes/ch-05-label-the-switch.webp" } - { at: 115, title: "Line up the first look", image: "/media/images/workflows/prompts-and-llm-nodes/ch-06-line-up-the-first-look.webp" } - { at: 125, title: "Add Style B", image: "/media/images/workflows/prompts-and-llm-nodes/ch-07-add-style-b.webp" } - { at: 170, title: "Add Style A", image: "/media/images/workflows/prompts-and-llm-nodes/ch-08-add-style-a.webp" } - { at: 209.5, title: "Add Style D", image: "/media/images/workflows/prompts-and-llm-nodes/ch-09-add-style-d.webp" } - { at: 255.5, title: "Recap", image: "/media/images/workflows/prompts-and-llm-nodes/ch-10-recap.webp" } steps: - title: "Open the workflow" text: "Open **Workflows** › **Workflows**, **Project** tab, open **Anatomy reference sheets** and click **Switch to Edit Mode**." - title: "Read the style prompt" text: "Open **2. Style C - Anatomy**: it reads make, keep, the hard rules in capitals, then the style and what to leave out. All four prompts follow that order." prompt: |- Redraw this character illustration as a traditional graphite pencil sketch on textured off-white paper. Keep the exact same pose, proportions, silhouette, outfit, camera angle and framing as the source. PRESERVE EVERY ELEMENT OF THE CHARACTER: capes, cloaks, hoods, belts, straps, armor, gloves, boots, bags, weapons, wings, tails, jewelry and hair must all be drawn, with the same shape, length and placement as in the reference. Do not remove or simplify any part of the design. Hand-drawn look: confident construction lines, light underdrawing still visible, expressive contour linework, no cross-hatching. Monochrome graphite only — no color, no digital gradients, no background scenery, just clean paper. Overlay a drawing of the body anatomy drawn in basic geometry (spheres and cylinders etc.) in clean blue pencil line, revealing the body shape hidden by clothes and equipment. Style: professional character design study sketch from an artist's sketchbook, figure drawing reference, no text, no watermark. - title: "Find the shared rule" text: "The framing rule lives only in **1. Full Body + 9:16**, and each Prompt Builder adds it at the end. Change it once and every look follows." - title: "Label the switch" text: "Double-click the framing node's title and add ` (empty = keep framing)`: an empty rule keeps each image's own framing." - title: "Line up the first look" text: "Zoom out with **-** and line up the first look in a row: style, Prompt Builder, generator. Move the framing rule under the character." - title: "Add Style B, the pencil sketch" text: "Add a **Text** node named `2. Style B - Pencil` and paste the pencil prompt: Style C without the blue anatomy lines." prompt: |- Redraw this character illustration as a traditional graphite pencil sketch on textured off-white paper. Keep the exact same pose, proportions, silhouette, outfit, camera angle and framing as the source. PRESERVE EVERY ELEMENT OF THE CHARACTER: capes, cloaks, hoods, belts, straps, armor, gloves, boots, bags, weapons, wings, tails, jewelry and hair must all be drawn, with the same shape, length and placement as in the reference. Do not remove or simplify any part of the design. Hand-drawn look: confident construction lines, light underdrawing still visible, expressive contour linework, no cross-hatching, a few darker accent strokes for depth, subtle eraser highlights. Monochrome graphite only — no color, no digital gradients, no background scenery, just clean paper. Style: professional character design study sketch from an artist's sketchbook, figure drawing reference, no text, no watermark. - title: "Add Final Prompt B" text: "Add a **Prompt Builder** named `3. Final Prompt B`, wire in the pencil prompt and the framing rule, and build the template: style chip, blank line, framing chip." - title: "Add Style A, the gray sculpt" text: "Add a **Text** node named `2. Style A - Gray Sculpt` and paste the gray sculpt prompt. It changes only the surface, never the shape." prompt: |- Convert this character illustration into a neutral gray digital sculpture — an artist's anatomy/form reference maquette, like a ZBrush sculpt rendered with a matte gray matcap material. Keep the exact same pose, proportions, silhouette, camera angle and framing as the source. PRESERVE EVERY ELEMENT OF THE CHARACTER. Do not delete, simplify or omit anything that exists in the source image: capes, cloaks, coats, hoods, scarves, skirts, belts, straps, harnesses, armor pieces, pauldrons, gloves, boots, bags, weapons, tools, wings, tails, horns, jewelry, hair strands and any other accessory or equipment must all be present and sculpted as part of the statue, with the same shape, size, length, flow and placement as in the reference. Sculpt hair and flowing fabric (cape, cloak, coat tails) as solid gray sculpted volumes with the same drape and direction of movement. If an element is unclear in the source, sculpt a plausible version of it rather than removing it. Nothing may be replaced by bare body. Under the outfit, the body reads as a simple, modest, opaque full-coverage form-fitting bodysuit (long sleeves, full legs, high neckline) sculpted as part of the statue, so the underlying muscle structure and body forms read clearly through smooth, seamless surfacing. Fully clothed, non-revealing, no skin exposure beyond head and hands, no suggestive posing — a museum-style study figurine. Neutralize only SURFACE APPEARANCE, never geometry: remove all color, hair color, fabric texture, patterns, prints, logos and background detail, and render every element — body, outfit, cape, hair, gear — in one uniform mid-gray clay material with soft studio lighting, gentle specular matcap shading and a subtle rim light, on a plain neutral dark gray backdrop. Style: professional anatomy study reference, sculpting maquette, clean topology and clearly defined muscle groups and form volumes, no text, no watermark. - title: "Add Final Prompt A" text: "Add `3. Final Prompt A`, wire in Style A and the framing rule, and build it the same way." - title: "Add Style D, the textured sculpt" text: "Add a **Text** node named `2. Style D - Textured` and paste the textured sculpt prompt: the same sculpture in her real colors and materials." prompt: |- Convert this character illustration into a 3D digital sculpture — a fully textured render of the character as a collectible statue / game-ready model, like a ZBrush sculpt with the original color textures and materials applied. Keep the exact same pose, proportions, silhouette, camera angle and framing as the source. KEEP THE ORIGINAL COLORS AND TEXTURES. Match the character's palette exactly as seen in the reference: skin tone, hair color, eye color, and every color of the outfit, cape, armor and accessories. Reproduce the material qualities of each part — matte or worn fabric with visible weave, brushed or scratched metal with real specular highlights, glossy leather, rough stone, translucent gems, glowing emissive parts — so each surface reads as its real material, not as clay. PRESERVE EVERY ELEMENT OF THE CHARACTER. Do not delete, simplify or omit anything that exists in the source image: capes, cloaks, coats, hoods, scarves, skirts, belts, straps, harnesses, armor pieces, pauldrons, gloves, boots, bags, weapons, tools, wings, tails, horns, jewelry, hair strands and any other accessory or equipment must all be present and sculpted, with the same shape, size, length, flow and placement as in the reference. Sculpt hair and flowing fabric as solid volumes with the same drape and direction of movement. If an element is unclear in the source, sculpt a plausible version of it rather than removing it. The figure is fully clothed and modest — no skin exposure beyond what the outfit already leaves visible, no suggestive posing. A display statue. Render it as a clean 3D render: crisp sculpted geometry, high-detail surface work, soft neutral studio lighting with a subtle rim light, soft contact shadows, on a plain neutral dark gray backdrop. No painted-illustration look, no 2D shading — it must read as a physical sculpted and painted figure. Style: professional character turnaround render, collectible figure product shot, no text, no watermark. - title: "Add Final Prompt D" text: "Add `3. Final Prompt D`, wire in Style D and the framing rule, and build the template." - title: "Check the four rows" text: "Check four style nodes and four Prompt Builders, each with its own style chip and the framing chip. The workflow saves as you work; close it with the **X** at the top left." updated: 2026-11-11 canonical: https://learn.scenario.com/workflows/prompts-and-llm-nodes --- Last updated: 2026-11-11 # Prompts that repeat > Read how the anatomy-sketch prompt is written, share one framing rule through Prompt Builders, and add the prompts for the pencil, gray sculpt and textured sculpt sheets. In short: - Write each prompt in four parts, in the same order: what to make, what to keep, the hard rules, then the style. - Name every kind of part the model must keep, in capitals, so it works on any character. - Keep one shared rule in its own Text node and join it to every style with a Prompt Builder, so one change reaches every look. A prompt that works once can fail on the next character. This lesson shows how the anatomy-sketch prompt from the last lesson is written so it works every time, on any character, then adds the prompts for the other three sheets of **Anatomy reference sheets**: a plain pencil sketch, a gray sculpt and a textured sculpt. Every look gets its own style prompt and **Prompt Builder**, and all four share one framing rule. :::note As of November 2026 The models, settings and screens in this article are the ones Scenario offered in November 2026. New models and updates arrive often, so check the app for newer options before you choose. ::: :::steps Quick version 1. Open **Anatomy reference sheets** and click **Switch to Edit Mode**. 2. Read **2. Style C - Anatomy**: what to make, what to keep, the hard rules, then the style. 3. Rename the framing node `1. Full Body + 9:16 (empty = keep framing)`. 4. For each new look, add a **Text** node with its style prompt and a **Prompt Builder** wired to that style and to the framing rule. 5. Build each template: style chip, blank line, framing chip. The workflow saves as you work. ::: ## Before you start - **What you need:** the **Anatomy reference sheets** workflow from [Build your first workflow](https://learn.scenario.com/workflows/build-your-first-workflow.md), with its character, framing rule, **2. Style C - Anatomy**, **3. Final Prompt C** and **4. Output C - Anatomy**. - **Nothing runs in this lesson.** You only write and wire prompts. The generators for the three new looks come in the next lesson. - **Two kinds of text:** a *style prompt* changes per look; a *shared rule* is the same for every look. Write the rule once, in its own node, and let each Prompt Builder add it. ### What you add | Row | Style node | Prompt Builder | The sheet it makes | |---|---|---|---| | 1 | **2. Style C - Anatomy** (from the last lesson) | **3. Final Prompt C** | Pencil sketch with the anatomy in blue | | 2 | **2. Style B - Pencil** | **3. Final Prompt B** | Plain pencil sketch | | 3 | **2. Style A - Gray Sculpt** | **3. Final Prompt A** | Matte gray clay sculpture | | 4 | **2. Style D - Textured** | **3. Final Prompt D** | The sculpture in her real colors and materials | ## Step 1: Open the workflow Open **Workflows** › **Workflows**, and on the **Project** tab, open **Anatomy reference sheets**. Then click **Switch to Edit Mode**. ## Step 2: Read the style prompt Click inside the **2. Style C - Anatomy** node and scroll to the top. It's written in four parts, and all four prompts in this workflow follow the same order: make, keep, rules, style. ```prompt Redraw this character illustration as a traditional graphite pencil sketch on textured off-white paper. Keep the exact same pose, proportions, silhouette, outfit, camera angle and framing as the source. PRESERVE EVERY ELEMENT OF THE CHARACTER: capes, cloaks, hoods, belts, straps, armor, gloves, boots, bags, weapons, wings, tails, jewelry and hair must all be drawn, with the same shape, length and placement as in the reference. Do not remove or simplify any part of the design. Hand-drawn look: confident construction lines, light underdrawing still visible, expressive contour linework, no cross-hatching. Monochrome graphite only — no color, no digital gradients, no background scenery, just clean paper. Overlay a drawing of the body anatomy drawn in basic geometry (spheres and cylinders etc.) in clean blue pencil line, revealing the body shape hidden by clothes and equipment. Style: professional character design study sketch from an artist's sketchbook, figure drawing reference, no text, no watermark. ``` **Part 1, what to make:** redraw this character as a pencil sketch, on off-white paper. Start with the job, in one sentence. ![The 2. Style C - Anatomy node scrolled to its first part: Redraw this character illustration as a traditional graphite pencil sketch on textured off-white paper](https://ufgc0c9mhl4ueq76.public.blob.vercel-storage.com/academy/7db52454b1fa79298a0912bdbac5ed256bd922532b3cf13e41310a501c85ee06.webp) **Part 2, what to keep:** the exact same pose, proportions, outfit and camera angle. Say what must not change, because an image model changes what you don't protect. **Part 3, the hard rules,** in capitals, with a list. Models like to tidy a design by dropping a strap or a cape. Naming every *kind* of part (capes, belts, straps, armor, weapons, wings, tails) stops that, on any character, without naming this character's gear. ![The same node scrolled to part 3: PRESERVE EVERY ELEMENT OF THE CHARACTER, then the list of parts](https://ufgc0c9mhl4ueq76.public.blob.vercel-storage.com/academy/3b96171f439281c33592c9845ef3a581f805337ba3aac23c45ae00241b8fc21a.webp) **Part 4, the style, and what to leave out:** "professional character design study sketch", then no text, no watermark. Ending on exclusions keeps labels and signatures off the sheet. ### The four parts, as a template | Part | Answers | In Style C | |---|---|---| | **1. Make** | What is the output? | A graphite pencil sketch on off-white paper | | **2. Keep** | What must stay the same? | Pose, proportions, silhouette, outfit, camera angle, framing | | **3. Rules** | What must the model never do? | Remove or simplify any part of the design | | **4. Style** | How does it look, and what's left out? | Sketchbook study; no text, no watermark | The look-specific line sits between the rules and the style. In Style C it's the overlay: the body drawn in basic geometry, spheres and cylinders, in clean blue pencil line. ## Step 3: Find the shared rule The framing rule isn't written into any style prompt. It lives in **1. Full Body + 9:16**, and the Prompt Builder adds it at the end. So there's only one copy to keep up to date: change it once, and every look follows. ![1. Full Body + 9:16 wired into 3. Final Prompt C, which shows the 2. STYLE C - ANATOMY and 1. FULL BODY + 9:16 chips](https://ufgc0c9mhl4ueq76.public.blob.vercel-storage.com/academy/c698b01e8817146a2f822c07e0e69fdc198fea7443a41b268fbbdde8a0307e7b.webp) ## Step 4: Label the switch The framing rule is also a switch. Leave its text empty, and every sheet keeps the image's own framing; fill it, and every sheet becomes a tall, full-body frame. Say so in its name: double-click the title and add: ```text (empty = keep framing) ``` The node is now **1. Full Body + 9:16 (empty = keep framing)**, and the chip in the Prompt Builder updates with it. ![The renamed framing node and its chip in 3. Final Prompt C: 1. FULL BODY + 9:16 (EMPTY = KEEP FRAMING)](https://ufgc0c9mhl4ueq76.public.blob.vercel-storage.com/academy/7b23c8bdf50fb8a64b2fe3b0177692964a45c736ebe5f5c5b6151a53d846770f.webp) A name that says what a node does saves the next person from reading its text. It matters more once the workflow becomes an App. ## Step 5: Line up the first look Click **-** in the right toolbar (or press **-**) to zoom out and make room for three more rows. Line up the first look in a row: the style, then its Prompt Builder, then its generator. Move the framing rule under the character, where every row can reach it. ![The first look in one row: 2. Style C - Anatomy, 3. Final Prompt C and 4. Output C - Anatomy, with the framing rule under the character](https://ufgc0c9mhl4ueq76.public.blob.vercel-storage.com/academy/83917728dbf1f76bc9edeb6235311fedef1d78902cfc84c63ab4b5af6ca4299c.webp) ## Step 6: Add Style B, the pencil sketch Add a **Text** node in the second row and name it `2. Style B - Pencil`. Paste the pencil sketch prompt. It's Style C without the blue anatomy lines: the same pose and gear, in plain graphite. ```prompt Redraw this character illustration as a traditional graphite pencil sketch on textured off-white paper. Keep the exact same pose, proportions, silhouette, outfit, camera angle and framing as the source. PRESERVE EVERY ELEMENT OF THE CHARACTER: capes, cloaks, hoods, belts, straps, armor, gloves, boots, bags, weapons, wings, tails, jewelry and hair must all be drawn, with the same shape, length and placement as in the reference. Do not remove or simplify any part of the design. Hand-drawn look: confident construction lines, light underdrawing still visible, expressive contour linework, no cross-hatching, a few darker accent strokes for depth, subtle eraser highlights. Monochrome graphite only — no color, no digital gradients, no background scenery, just clean paper. Style: professional character design study sketch from an artist's sketchbook, figure drawing reference, no text, no watermark. ``` Compare it with Style C: the four parts are the same, and the overlay paragraph is gone. Its last hand-drawn line adds "a few darker accent strokes for depth, subtle eraser highlights". ## Step 7: Add Final Prompt B Add a **Prompt Builder** next to it and name it `3. Final Prompt B`. Wire in the pencil prompt, then the framing rule: the same two chips appear. Click in the template, click the style chip, press Enter twice, then click the framing chip. Look B is ready for its generator. ![Row 2 next to row 1: 2. Style B - Pencil wired with the framing rule into 3. Final Prompt B](https://ufgc0c9mhl4ueq76.public.blob.vercel-storage.com/academy/aafd61f120e29ca3dd104fc9bc105b7da1eac6b2fddf50d52ccd912066e4923f.webp) ## Step 8: Add Style A, the gray sculpt The third row is the gray sculpt. Add a **Text** node, name it `2. Style A - Gray Sculpt`, and paste its prompt: ```prompt Convert this character illustration into a neutral gray digital sculpture — an artist's anatomy/form reference maquette, like a ZBrush sculpt rendered with a matte gray matcap material. Keep the exact same pose, proportions, silhouette, camera angle and framing as the source. PRESERVE EVERY ELEMENT OF THE CHARACTER. Do not delete, simplify or omit anything that exists in the source image: capes, cloaks, coats, hoods, scarves, skirts, belts, straps, harnesses, armor pieces, pauldrons, gloves, boots, bags, weapons, tools, wings, tails, horns, jewelry, hair strands and any other accessory or equipment must all be present and sculpted as part of the statue, with the same shape, size, length, flow and placement as in the reference. Sculpt hair and flowing fabric (cape, cloak, coat tails) as solid gray sculpted volumes with the same drape and direction of movement. If an element is unclear in the source, sculpt a plausible version of it rather than removing it. Nothing may be replaced by bare body. Under the outfit, the body reads as a simple, modest, opaque full-coverage form-fitting bodysuit (long sleeves, full legs, high neckline) sculpted as part of the statue, so the underlying muscle structure and body forms read clearly through smooth, seamless surfacing. Fully clothed, non-revealing, no skin exposure beyond head and hands, no suggestive posing — a museum-style study figurine. Neutralize only SURFACE APPEARANCE, never geometry: remove all color, hair color, fabric texture, patterns, prints, logos and background detail, and render every element — body, outfit, cape, hair, gear — in one uniform mid-gray clay material with soft studio lighting, gentle specular matcap shading and a subtle rim light, on a plain neutral dark gray backdrop. Style: professional anatomy study reference, sculpting maquette, clean topology and clearly defined muscle groups and form volumes, no text, no watermark. ``` It asks for a matte gray clay sculpture. Its key line: change only the surface, never the shape ("Neutralize only SURFACE APPEARANCE, never geometry"). So every cape and strap stays, in gray. The rules part is longer here, because a sculpt tempts a model to replace clothes with bare body: the prompt says "Nothing may be replaced by bare body" and keeps the figure fully clothed. ![2. Style A - Gray Sculpt, 1924 characters, in the third row under 2. Style B - Pencil and 3. Final Prompt B](https://ufgc0c9mhl4ueq76.public.blob.vercel-storage.com/academy/d49def7d8b7bc9319c1807a23583304f20c632762a8ef1a63d075d8a25dc74f5.webp) ## Step 9: Add Final Prompt A Add its **Prompt Builder**, name it `3. Final Prompt A`, and wire in the style and the framing rule. Then build it the same way: style chip, blank line, framing chip. ## Step 10: Add Style D, the textured sculpt The last row is the textured sculpt. Add a **Text** node, name it `2. Style D - Textured`, and paste its prompt: ```prompt Convert this character illustration into a 3D digital sculpture — a fully textured render of the character as a collectible statue / game-ready model, like a ZBrush sculpt with the original color textures and materials applied. Keep the exact same pose, proportions, silhouette, camera angle and framing as the source. KEEP THE ORIGINAL COLORS AND TEXTURES. Match the character's palette exactly as seen in the reference: skin tone, hair color, eye color, and every color of the outfit, cape, armor and accessories. Reproduce the material qualities of each part — matte or worn fabric with visible weave, brushed or scratched metal with real specular highlights, glossy leather, rough stone, translucent gems, glowing emissive parts — so each surface reads as its real material, not as clay. PRESERVE EVERY ELEMENT OF THE CHARACTER. Do not delete, simplify or omit anything that exists in the source image: capes, cloaks, coats, hoods, scarves, skirts, belts, straps, harnesses, armor pieces, pauldrons, gloves, boots, bags, weapons, tools, wings, tails, horns, jewelry, hair strands and any other accessory or equipment must all be present and sculpted, with the same shape, size, length, flow and placement as in the reference. Sculpt hair and flowing fabric as solid volumes with the same drape and direction of movement. If an element is unclear in the source, sculpt a plausible version of it rather than removing it. The figure is fully clothed and modest — no skin exposure beyond what the outfit already leaves visible, no suggestive posing. A display statue. Render it as a clean 3D render: crisp sculpted geometry, high-detail surface work, soft neutral studio lighting with a subtle rim light, soft contact shadows, on a plain neutral dark gray backdrop. No painted-illustration look, no 2D shading — it must read as a physical sculpted and painted figure. Style: professional character turnaround render, collectible figure product shot, no text, no watermark. ``` It's the same sculpture, but in her real colors and materials: worn fabric, glossy leather, brushed metal, the teal of her cape. Its own rule, "KEEP THE ORIGINAL COLORS AND TEXTURES", sits before the usual PRESERVE list. ![2. Style D - Textured under the Style A row, next to 3. Final Prompt A](https://ufgc0c9mhl4ueq76.public.blob.vercel-storage.com/academy/8febe2805d928308d4bda69fa7cc876de278343387048458bab5bb7e8d4deadb.webp) ## Step 11: Add Final Prompt D Add `3. Final Prompt D`, wire in the style and the framing rule, and build the prompt. ## Step 12: Check the four rows Four styles, four Prompt Builders, one shared rule. The workflow saves as you work, and Cmd+S (Ctrl+S on Windows) saves right away, so you can close it with the **X** at the top left once the four rows check out. ![Rows B, A and D: each style wired into its Prompt Builder, and every Prompt Builder showing the same 1. FULL BODY + 9:16 (EMPTY = KEEP FRAMING) chip](https://ufgc0c9mhl4ueq76.public.blob.vercel-storage.com/academy/5e11d7f98b3027c7de00444556c967bda8f591087c0a2f46fd0578322f88e5f9.webp) :::check **Accept when:** there are four style nodes and four Prompt Builders; each Prompt Builder has two chips, its own style and the framing rule; each template reads style, blank line, framing; the preview under each one starts with the right look ("Redraw..." for B and C, "Convert..." for A and D). **Reject when:** a Prompt Builder shows only one chip (a wire is missing); a template holds the style chip twice or the wrong style; two looks share one style node; the framing text was pasted into a style prompt instead of wired in. ::: ## Write prompts that repeat - **One job per prompt.** The first sentence says what to make. Everything after it supports that sentence. - **Protect what must not change.** List pose, proportions, outfit, camera angle and framing. An edit model keeps what you name and is free with the rest. - **Name kinds, not instances.** "Capes, belts, straps, weapons" works on a knight, a pilot or a dragon. "Her teal cape" works on one character. - **Capitals for the rules that matter most.** Use them sparingly, for the one or two rules a model tends to break. - **End with what to leave out.** No text, no watermark, no background scenery. - **Keep shared text out of the styles.** Put it in its own **Text** node and join it with a Prompt Builder. To change the house rule, change one node. - **Vary one thing at a time.** Style B is Style C minus one paragraph. When you add a look, start from the closest prompt and change only what differs. ### Prompt Builder limits Each text input to a Prompt Builder holds about 1,000 to 2,000 characters, and the joined prompt about 5,000, depending on the model it goes to. The longest prompt here, Style D, is 1,978 characters, plus 598 for the framing rule. ## Common problems | What you see | What to do | |---|---| | **A Prompt Builder shows one chip** | Wire the missing text into its text port. Each wire adds a chip | | **The preview shows only the style** | The framing chip isn't placed in the template. Click in the box, then click the chip | | **A sheet loses a strap, a cape or a weapon** | Add that kind of part to the PRESERVE list of its style prompt | | **The sculpt shows bare skin where clothes were** | Keep Style A's "Nothing may be replaced by bare body" and its fully clothed line | | **You want each sheet in the image's own framing** | Empty the text of the framing node; leave the node and its wires in place | | **Two looks come out the same** | Check each Prompt Builder is wired to its own style node, not to Style C twice | ## What's next The four prompts are ready. In [Batches, loops and logic](https://learn.scenario.com/workflows/batches-loops-and-logic.md), you give each look a generator, chain them, and run the whole workflow. For more on writing prompts outside workflows, see [Prompt images](https://learn.scenario.com/methods/prompt-images.md). Source: https://learn.scenario.com/workflows/prompts-and-llm-nodes