Restyle footage and keep the motion

Slow-motion tracking shot from a camera car, one continuous take. The runner
runs forward to the right in slow motion with a long, even stride, and the
camera travels to the right with her at the same speed, so she stays near the
center of frame, whole from head to shoes, while the whole background moves
past: over the 5 seconds the floodlight tower slides from the upper left out
of frame at the left edge, new sections of the dark stands and trees enter
from the right, and the white lane markings and the reflections on the wet
track stream from right to left under her feet. The track is wet but has no
puddles: at each foot strike only a fine mist of droplets flicks off the sole
and falls straight back, no tall splashes, no water crowns, no rings. Her
orange shoes keep exactly the same design in every frame: molten orange
upper, white laces, translucent sole with a dark line. Sound of rain and soft
footfalls, no music, no speech.

Motion stays as smooth as the source. Keep exactly the same camera move,
framing and speed at every moment, the runner's position, size and pose in
every frame, every stride and foot strike at the same moment, the floodlight,
stands and lane lines in the same places, and the same clip length. No new
objects, no text.

Restyle the whole video as hand-drawn 2D animation for a sportswear campaign:
confident black ink outlines with varying line weight, flat gouache color in
two or three tones per shape, visible paper grain, the night sky as a painted
blue wash, the floodlight as a bright painted glow, rain and spray as white
ink flecks. The runner keeps her face, dark ponytail, black top and black
shorts; her shoes stay molten orange with white laces and a pale translucent
sole with a dark line.

Re-render this exact frame as a still from a hand-drawn 2D animation for a
sportswear campaign. Use the image as a layout reference: keep the camera
angle, the framing, the runner's position, size and pose, the stands, the
tree line, the lane lines and the floodlight exactly where they are. Change
only the rendering: confident black ink outlines with varying line weight,
flat gouache color in two or three tones per shape, visible paper grain, the
night sky as a painted deep blue wash. Keep the colors of the scene: the
track stays dark wet charcoal grey with pale reflections, not blue; the
floodlight stays one small bright white painted glow in the upper left
corner, with no beam and no yellow wash; the stands stay dark grey. The
runner keeps her face, dark ponytail, black top and black shorts; her shoes
stay molten orange with white laces and a pale translucent sole with a dark
line, and the small VIREO on the heel. Rain and spray are small white ink
flecks. The drawing fills the whole frame edge to edge: no border, no paper
edge, no frame. No text other than the heel mark, no new objects.

Restyle the whole video as hand-drawn 2D animation for a sportswear campaign
that matches the reference image: confident black ink outlines with varying
line weight, flat gouache color in two or three tones per shape, a fine grain
texture inside the image, the night sky as a painted deep blue wash, rain and
spray as small white ink flecks. Full bleed: the picture runs to every edge
of the frame, with no paper border, no torn edge and no white margin. Keep
the colors of the scene: the track stays dark wet charcoal grey with pale
reflections, not blue; the floodlight stays a bank of bright white lamps on a
tall dark pole in the upper left, as in the source, with no beam and no
yellow wash; the stands stay dark grey. The runner keeps her face, dark
ponytail, black top and black shorts; her shoes stay molten orange with white
laces and a pale translucent sole with a dark line.

Change only the color of the runner's shoes: the uppers become deep cobalt
blue instead of orange. The white laces, the pale translucent sole with its
dark line, the shape of the shoe and the small VIREO on the heel stay exactly
as they are. Everything else stays exactly as in the source: the runner, her
face, hair and clothes, every stride, the camera move, the wet track, the
stands, the floodlight, the light and the rain. No new objects, no text.