Restyle footage and keep the motion

Run the source clip with the same prompt on three edit models, each at its lowest resolution: Gemini Omni 1.1 Flash Edit (model_google-omni-1-1-flash-edit) at 360p, Luma Ray 3.2 Edit (model_luma-ray-3-2-edit) at 540p, and FLUX.3 Edit Video (model_bfl-flux-3-edit-video). Read each model's parameters with model_schema_get first. Start the three with wait: false and collect them with one jobs_wait. Quote the cost with a dry run first and wait for my go.

Prompt, word for word, look and keep-list:
Restyle the whole video as hand-drawn 2D animation for a sportswear campaign: confident black ink outlines with varying line weight, flat gouache color in two or three tones per shape, visible paper grain, the night sky as a painted blue wash, the floodlight as a bright painted glow, rain and spray as white ink flecks. The runner keeps her face, dark ponytail, black top and black shorts; her shoes stay molten orange with white laces and a pale translucent sole with a dark line.

Motion stays as smooth as the source. Keep exactly the same camera move, framing and speed at every moment, the runner's position, size and pose in every frame, every stride and foot strike at the same moment, the floodlight, stands and lane lines in the same places, and the same clip length. No new objects, no text.

Show me the three takes and tell me, for each, whether it rebuilt the set, added a border, or only got colors wrong.

Export frame 0 of the source. Make a style frame with GPT Image 2.5 Sunburst (model_openai-gpt-image-2-5-sunburst), with frame 0 in referenceImages as an array. Prompt, word for word:
Re-render this exact frame as a still from a hand-drawn 2D animation for a sportswear campaign. Use the image as a layout reference: keep the camera angle, the framing, the runner's position, size and pose, the stands, the tree line, the lane lines and the floodlight exactly where they are. Change only the rendering: confident black ink outlines with varying line weight, flat gouache color in two or three tones per shape, visible paper grain, the night sky as a painted deep blue wash. Keep the colors of the scene: the track stays dark wet charcoal grey with pale reflections, not blue; the floodlight stays one small bright white painted glow in the upper left corner, with no beam and no yellow wash; the stands stay dark grey. The runner keeps her face, dark ponytail, black top and black shorts; her shoes stay molten orange with white laces and a pale translucent sole with a dark line, and the small VIREO on the heel. Rain and spray are small white ink flecks. The drawing fills the whole frame edge to edge: no border, no paper edge, no frame. No text other than the heel mark, no new objects.

When I approve the style frame, run Gemini Omni 1.1 Flash Edit on the source clip with video set to the clip, referenceImages set to [the style frame] and resolution "720p". Prompt, word for word:
Restyle the whole video as hand-drawn 2D animation for a sportswear campaign that matches the reference image: confident black ink outlines with varying line weight, flat gouache color in two or three tones per shape, a fine grain texture inside the image, the night sky as a painted deep blue wash, rain and spray as small white ink flecks. Full bleed: the picture runs to every edge of the frame, with no paper border, no torn edge and no white margin. Keep the colors of the scene: the track stays dark wet charcoal grey with pale reflections, not blue; the floodlight stays a bank of bright white lamps on a tall dark pole in the upper left, as in the source, with no beam and no yellow wash; the stands stay dark grey. The runner keeps her face, dark ponytail, black top and black shorts; her shoes stay molten orange with white laces and a pale translucent sole with a dark line.

Motion stays as smooth as the source. Keep exactly the same camera move, framing and speed at every moment, the runner's position, size and pose in every frame, every stride and foot strike at the same moment, the floodlight, stands and lane lines in the same places, and the same clip length. No new objects, no text.

Quote each run first and wait for my go.

Same model and source clip, resolution "720p", with no referenceImages. Prompt, word for word:
Change only the color of the runner's shoes: the uppers become deep cobalt blue instead of orange. The white laces, the pale translucent sole with its dark line, the shape of the shoe and the small VIREO on the heel stay exactly as they are. Everything else stays exactly as in the source: the runner, her face, hair and clothes, every stride, the camera move, the wet track, the stands, the floodlight, the light and the rain. No new objects, no text.

Motion stays as smooth as the source. Keep exactly the same camera move, framing and speed at every moment, the runner's position, size and pose in every frame, every stride and foot strike at the same moment, the floodlight, stands and lane lines in the same places, and the same clip length. No new objects, no text.

Quote it first and wait for my go.

With OpenCV, measure how far the background moves between frames in the source and in each final, add it up, and show me the curves. Check that each final has the same frame count as the source. Tell me if either final fails and why. Then create a collection for this clip with the source, the style frame and the two finals, and report the models, every asset ID and the total cost spent.

Slow-motion tracking shot from a camera car, one continuous take. The runner runs forward to the right in slow motion with a long, even stride, and the camera travels to the right with her at the same speed, so she stays near the center of frame, whole from head to shoes, while the whole background moves past: over the 5 seconds the floodlight tower slides from the upper left out of frame at the left edge, new sections of the dark stands and trees enter from the right, and the white lane markings and the reflections on the wet track stream from right to left under her feet. The track is wet but has no puddles: at each foot strike only a fine mist of droplets flicks off the sole and falls straight back, no tall splashes, no water crowns, no rings. Her orange shoes keep exactly the same design in every frame: molten orange upper, white laces, translucent sole with a dark line. Sound of rain and soft footfalls, no music, no speech.

Restyle the whole video as hand-drawn 2D animation for a sportswear campaign: confident black ink outlines with varying line weight, flat gouache color in two or three tones per shape, visible paper grain, the night sky as a painted blue wash, the floodlight as a bright painted glow, rain and spray as white ink flecks. The runner keeps her face, dark ponytail, black top and black shorts; her shoes stay molten orange with white laces and a pale translucent sole with a dark line.

Motion stays as smooth as the source. Keep exactly the same camera move, framing and speed at every moment, the runner's position, size and pose in every frame, every stride and foot strike at the same moment, the floodlight, stands and lane lines in the same places, and the same clip length. No new objects, no text.

Re-render this exact frame as a still from a hand-drawn 2D animation for a sportswear campaign. Use the image as a layout reference: keep the camera angle, the framing, the runner's position, size and pose, the stands, the tree line, the lane lines and the floodlight exactly where they are. Change only the rendering: confident black ink outlines with varying line weight, flat gouache color in two or three tones per shape, visible paper grain, the night sky as a painted deep blue wash. Keep the colors of the scene: the track stays dark wet charcoal grey with pale reflections, not blue; the floodlight stays one small bright white painted glow in the upper left corner, with no beam and no yellow wash; the stands stay dark grey. The runner keeps her face, dark ponytail, black top and black shorts; her shoes stay molten orange with white laces and a pale translucent sole with a dark line, and the small VIREO on the heel. Rain and spray are small white ink flecks. The drawing fills the whole frame edge to edge: no border, no paper edge, no frame. No text other than the heel mark, no new objects.

Restyle the whole video as hand-drawn 2D animation for a sportswear campaign that matches the reference image: confident black ink outlines with varying line weight, flat gouache color in two or three tones per shape, a fine grain texture inside the image, the night sky as a painted deep blue wash, rain and spray as small white ink flecks. Full bleed: the picture runs to every edge of the frame, with no paper border, no torn edge and no white margin. Keep the colors of the scene: the track stays dark wet charcoal grey with pale reflections, not blue; the floodlight stays a bank of bright white lamps on a tall dark pole in the upper left, as in the source, with no beam and no yellow wash; the stands stay dark grey. The runner keeps her face, dark ponytail, black top and black shorts; her shoes stay molten orange with white laces and a pale translucent sole with a dark line.

Motion stays as smooth as the source. Keep exactly the same camera move, framing and speed at every moment, the runner's position, size and pose in every frame, every stride and foot strike at the same moment, the floodlight, stands and lane lines in the same places, and the same clip length. No new objects, no text.

Change only the color of the runner's shoes: the uppers become deep cobalt blue instead of orange. The white laces, the pale translucent sole with its dark line, the shape of the shoe and the small VIREO on the heel stay exactly as they are. Everything else stays exactly as in the source: the runner, her face, hair and clothes, every stride, the camera move, the wet track, the stands, the floodlight, the light and the rain. No new objects, no text.

Motion stays as smooth as the source. Keep exactly the same camera move, framing and speed at every moment, the runner's position, size and pose in every frame, every stride and foot strike at the same moment, the floodlight, stands and lane lines in the same places, and the same clip length. No new objects, no text.